{"id":1046,"date":"2026-02-18T13:23:23","date_gmt":"2026-02-18T11:23:23","guid":{"rendered":"https:\/\/www.farangis.de\/blog\/?p=1046"},"modified":"2026-02-21T00:19:55","modified_gmt":"2026-02-20T22:19:55","slug":"aufraeumen-zwecklos","status":"publish","type":"post","link":"https:\/\/www.farangis.de\/blog\/aufraeumen-zwecklos","title":{"rendered":"Aufr\u00e4umen zwecklos \/ Clearing is utterly useless"},"content":{"rendered":"<p>Animal liberation and internal speciesism would be the opposite of infighting.<\/p>\n<p>The animal liberationist, art historian, and publisher Dr. Jessica Ullrich has, from the very beginning, stood out for her enthusiasm for taxidermic exhibits.<\/p>\n<p>Is Ullrich an animal liberationist who supports the bodily objectification of animals for artistic purposes? Yes \u2013 and she is firmly embedded within the animal liberation scene in the DACH region.<\/p>\n<p>Ullrich:<\/p>\n<p>&#8220;Taxidermic hybrids show at the same time the trauma and the allure of bodily deformations. They transform violence, fear and insecurity into something new. The animals that are prepared to be chimaeras not only exhibit the irreparable battery of nature by human intervention, but they also represent the possibility to think out a new, and fantasy-filled way of approaching the natural world.&#8221;<\/p>\n<p>Ullrich, Jessica (2008): \u201eThe Taxidermy Hybrid\u201c. In: ANTENNAE: The Journal of Nature in Visual Culture, Nr. 7 (Autumn), S. 18\u201321.<br \/>\n<a href=\"http:\/\/johnisaacs.net\/press_files\/ANTENNAE_7_2008.pdf\">http:\/\/johnisaacs.net\/press_files\/ANTENNAE_7_2008.pdf<\/a><\/p>\n<p>\u2014<\/p>\n<p>It is hardly surprising, yet regrettable, and it must be named for what it actually is:<\/p>\n<p>So-called interspecies art is often a way of disseminating speciesist art and the underlying worlds of thought behind it.<\/p>\n<p>Ullrich ist by the way part of Kim Stallwoods circles, From her\u00a0 activities: <a href=\"https:\/\/www.facebook.com\/jesmarullrich\/posts\/pfbid0rsVeS5GR2aYBWGHKb9n1SRkbrimKjtgSKcS4cn6jJzqtp5SxoDjZHcgsb66onphvl\">https:\/\/www.facebook.com\/jesmarullrich\/posts\/pfbid0rsVeS5GR2aYBWGHKb9n1SRkbrimKjtgSKcS4cn6jJzqtp5SxoDjZHcgsb66onphvl<\/a><\/p>\n<p>[19.02.26]<\/p>\n<p><a href=\"https:\/\/www.farangis.de\/blog\/wp-content\/uploads\/2026\/02\/speziesismus_in_der_kunst_1x-1.png\"><img decoding=\"async\" loading=\"lazy\" class=\"alignnone size-full wp-image-1060\" src=\"https:\/\/www.farangis.de\/blog\/wp-content\/uploads\/2026\/02\/speziesismus_in_der_kunst_1x-1.png\" alt=\"\" width=\"2520\" height=\"1242\" srcset=\"https:\/\/www.farangis.de\/blog\/wp-content\/uploads\/2026\/02\/speziesismus_in_der_kunst_1x-1.png 2520w, https:\/\/www.farangis.de\/blog\/wp-content\/uploads\/2026\/02\/speziesismus_in_der_kunst_1x-1-300x148.png 300w, https:\/\/www.farangis.de\/blog\/wp-content\/uploads\/2026\/02\/speziesismus_in_der_kunst_1x-1-1024x505.png 1024w, https:\/\/www.farangis.de\/blog\/wp-content\/uploads\/2026\/02\/speziesismus_in_der_kunst_1x-1-768x379.png 768w, https:\/\/www.farangis.de\/blog\/wp-content\/uploads\/2026\/02\/speziesismus_in_der_kunst_1x-1-1536x757.png 1536w, https:\/\/www.farangis.de\/blog\/wp-content\/uploads\/2026\/02\/speziesismus_in_der_kunst_1x-1-2048x1009.png 2048w, https:\/\/www.farangis.de\/blog\/wp-content\/uploads\/2026\/02\/speziesismus_in_der_kunst_1x-1-1200x591.png 1200w, https:\/\/www.farangis.de\/blog\/wp-content\/uploads\/2026\/02\/speziesismus_in_der_kunst_1x-1-1980x976.png 1980w\" sizes=\"(max-width: 2520px) 100vw, 2520px\" \/><\/a><\/p>\n<p>Chris Moser and a woman from the BUND Hochtaunus like this:<\/p>\n<p><a href=\"https:\/\/www.farangis.de\/blog\/wp-content\/uploads\/2026\/02\/speziesismus_in_der_kunst_1b-1.png\"><img decoding=\"async\" loading=\"lazy\" class=\"alignnone size-full wp-image-1061\" src=\"https:\/\/www.farangis.de\/blog\/wp-content\/uploads\/2026\/02\/speziesismus_in_der_kunst_1b-1.png\" alt=\"\" width=\"2520\" height=\"1242\" srcset=\"https:\/\/www.farangis.de\/blog\/wp-content\/uploads\/2026\/02\/speziesismus_in_der_kunst_1b-1.png 2520w, https:\/\/www.farangis.de\/blog\/wp-content\/uploads\/2026\/02\/speziesismus_in_der_kunst_1b-1-300x148.png 300w, https:\/\/www.farangis.de\/blog\/wp-content\/uploads\/2026\/02\/speziesismus_in_der_kunst_1b-1-1024x505.png 1024w, https:\/\/www.farangis.de\/blog\/wp-content\/uploads\/2026\/02\/speziesismus_in_der_kunst_1b-1-768x379.png 768w, https:\/\/www.farangis.de\/blog\/wp-content\/uploads\/2026\/02\/speziesismus_in_der_kunst_1b-1-1536x757.png 1536w, https:\/\/www.farangis.de\/blog\/wp-content\/uploads\/2026\/02\/speziesismus_in_der_kunst_1b-1-2048x1009.png 2048w, https:\/\/www.farangis.de\/blog\/wp-content\/uploads\/2026\/02\/speziesismus_in_der_kunst_1b-1-1200x591.png 1200w, https:\/\/www.farangis.de\/blog\/wp-content\/uploads\/2026\/02\/speziesismus_in_der_kunst_1b-1-1980x976.png 1980w\" sizes=\"(max-width: 2520px) 100vw, 2520px\" \/><\/a><\/p>\n<p>The BUND praises the usability of nonhuman animals for food by the way &gt; Who feels like throwing up? \u201cGerman\u201d \u201cnature conservation\u201d &gt;<br data-start=\"60\" data-end=\"63\" \/>Organizations we do not appreciate. But people prefer to buddy up instead &gt; <a href=\"https:\/\/www.bund-naturschutz.de\/landwirtschaft\/artgerechte-tierhaltung\">https:\/\/www.bund-naturschutz.de\/landwirtschaft\/artgerechte-tierhaltung<\/a> [19.02.26]<br \/>\nIf Donald Watson had taken that approach back then, we would all probably still be hardly any further along. #speciesism #paternalistic<\/p>\n<p>In this entire context we have commented trying to be more constructive about things:<\/p>\n<p><strong><span style=\"color: #ff0000;\">Art and Speciesism: Aesthetics and objectifying frameworks<\/span><\/strong> &gt; <a href=\"https:\/\/tierrechtsethik.de\/art-and-speciesism-aesthetics-and-objectifying-frameworks\/\">https:\/\/tierrechtsethik.de\/art-and-speciesism-aesthetics-and-objectifying-frameworks\/<\/a><\/p>\n<hr \/>\n<p>Tierbefreiung und innerer Speziesismus w\u00e4re so das Gegenteil von Infighting.<\/p>\n<p>Die Tierbefreierin-Kunstgeschichtlerin-Verlegerin Dr. Jessica Ullrich f\u00e4llt ja schon seit Anbeginn mit ihrer Begeisterung f\u00fcr taxidermische Exponate auf.\u00a0 Ist Ullrich eine Tierbefreierin, die f\u00fcr die k\u00f6rperliche Objektifizierung von Tieren f\u00fcr Kunstzwecke ist. Ja, und sie ist fest eingebettet in der Tierbefreierszene im DACH.<\/p>\n<p>Ullrich:<\/p>\n<p>&#8220;Taxidermic hybrids show at the same time the trauma and the allure of bodily deformations. They transform violence, fear and insecurity into something new. The animals that are prepared to be chimaeras not only exhibit the irreparable battery of nature by human intervention, but they also represent the possibility to think out a new, and fantasy-filled way of approaching the natural world.&#8221;<\/p>\n<p>Ullrich, Jessica (2008): \u201eThe Taxidermy Hybrid\u201c. In: <em data-start=\"539\" data-end=\"590\">ANTENNAE: The Journal of Nature in Visual Culture<\/em>, Nr. 7 (Autumn), S. 18\u201321.<br data-start=\"617\" data-end=\"620\" \/><a class=\"decorated-link\" href=\"http:\/\/johnisaacs.net\/press_files\/ANTENNAE_7_2008.pdf\" target=\"_new\" rel=\"noopener\" data-start=\"620\" data-end=\"673\">http:\/\/johnisaacs.net\/press_files\/ANTENNAE_7_2008.pdf<\/a><\/p>\n<p>Es wundert wenig, ist aber bedauerlich: Sogenannte Interspezieskunst ist oft ein Weg speziesistische Kunst und die dahinter liegenden Gedankenwelten zu verbreiten, eine Unterminierung der Idee selbst, die durch Verst\u00e4ndnisse entsteht.<\/p>\n<p>Eine Kritik zu der Sache befindet sich hier &gt; Kunst und Speziesismus: \u00c4sthetik und objektifizierende Rahmen. \u201eProgressive\u201c Kunst, die speziesistische Hierarchien reproduziert &gt;\u00a0 <a href=\"https:\/\/tierrechtsethik.de\/kunst-und-speziesismus-aesthetik-und-objektifizierende-rahmen\/\">https:\/\/tierrechtsethik.de\/kunst-und-speziesismus-aesthetik-und-objektifizierende-rahmen\/<\/a><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Animal liberation and internal speciesism would be the opposite of infighting. The animal liberationist, art historian, and publisher Dr. Jessica Ullrich has, from the very beginning, stood out for her enthusiasm for taxidermic exhibits. Is Ullrich an animal liberationist who supports the bodily objectification of animals for artistic purposes? Yes \u2013 and she is firmly&hellip;<a href=\"https:\/\/www.farangis.de\/blog\/aufraeumen-zwecklos\" class=\"more-link\"><span>Continue reading<\/span><span class=\"screen-reader-text\">Aufr\u00e4umen zwecklos \/ Clearing is utterly useless<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":1049,"comment_status":"closed","ping_status":"open","sticky":false,"template":"templates\/template-cover.php","format":"standard","meta":[],"categories":[5],"tags":[6],"_links":{"self":[{"href":"https:\/\/www.farangis.de\/blog\/wp-json\/wp\/v2\/posts\/1046"}],"collection":[{"href":"https:\/\/www.farangis.de\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.farangis.de\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.farangis.de\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.farangis.de\/blog\/wp-json\/wp\/v2\/comments?post=1046"}],"version-history":[{"count":16,"href":"https:\/\/www.farangis.de\/blog\/wp-json\/wp\/v2\/posts\/1046\/revisions"}],"predecessor-version":[{"id":1068,"href":"https:\/\/www.farangis.de\/blog\/wp-json\/wp\/v2\/posts\/1046\/revisions\/1068"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.farangis.de\/blog\/wp-json\/wp\/v2\/media\/1049"}],"wp:attachment":[{"href":"https:\/\/www.farangis.de\/blog\/wp-json\/wp\/v2\/media?parent=1046"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.farangis.de\/blog\/wp-json\/wp\/v2\/categories?post=1046"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.farangis.de\/blog\/wp-json\/wp\/v2\/tags?post=1046"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}