{"id":66,"date":"2008-11-17T03:15:29","date_gmt":"2008-11-17T01:15:29","guid":{"rendered":"http:\/\/www.farangis.de\/blog\/?p=66"},"modified":"2008-11-17T03:19:47","modified_gmt":"2008-11-17T01:19:47","slug":"pesi-girschs-nature-morte","status":"publish","type":"post","link":"https:\/\/www.farangis.de\/blog\/pesi-girschs-nature-morte","title":{"rendered":"Pesi Girsch&#8217;s &#8220;Nature Morte&#8221;"},"content":{"rendered":"<p>Pesi Girsch aestheticises the corpses of dead animals on some of her photography.<\/p>\n<p><a href=\"http:\/\/members.tripod.com\/pesi_girsch\/stillalife.htm\" target=\"_blank\">http:\/\/members.tripod.com\/pesi_girsch\/stillalife.htm<\/a> (accessed 23rd April 08 )<\/p>\n<p>On her bio she portrays herself with a baby kitten nevertheless: <a href=\"http:\/\/members.tripod.com\/pesi_girsch\/bio.htm\" target=\"_blank\">http:\/\/members.tripod.com\/pesi_girsch\/bio.htm<\/a> (accessed 23rd April 08 ), so one can assume that she sees some qualitative difference between being amongst the living or being amongst the (I assume) somehow made-to-be-dead. I guess I rightly assume that the ducks and the weasel type of animal on the dead animal photos of hers, did not die from natural causes.<\/p>\n<p>One could say that it gives the dead animal a dignity to be draped into becoming a display for a photo taken by a human for them animals to look aesthetical while dead. But I wouldn&#8217;t agree with that. I see a type of typical encryption here, which turns art into a tool for viewing the real with the specific attempt to find an objective standpoint, instead of arts as a way to only relate to the real in a subjective way, which would put an emphasis on a more free and autonomous thinking.<\/p>\n<p>Why does the arranged corpse of an individual animal has to become an object of a photo?<\/p>\n<p>Why are the dead animals displayed in a sterile, soft and clean &#8211; a seemingly peaceful or mute &#8211; context on Peri Girsch&#8217;s photos, when the real death of the animals had &#8211; and this is my assumption &#8211; been taking place in a wholly different context that preceded this type of setting.<\/p>\n<p>What matters to me is the perspective of the animals, and I automatically imagine that they didn&#8217;t want to die through the hands of humans (the photos leave it factually unclarified how the animals came to death). The set up encryption subtly suggests that I need not care about these individual animals as a viewer. That they only matter now that they have been given a meaning in an anthropocentric context.<\/p>\n<p>Both is depressing: the imagination of the death and seeing the animals displayed in this way of peaceful, aestheticized &#8220;bizarreness&#8221; on the photos. Worst of all is to imagine that the lives, i.e. the form of existence of beings other than humans, doesn&#8217;t matter as lives to the photographer. Pesi Girsch arranges the condition of being dead in these animals in a way that is demeaning to their selfness and to their otherness from us.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Pesi Girsch aestheticises the corpses of dead animals on some of her photography. http:\/\/members.tripod.com\/pesi_girsch\/stillalife.htm (accessed 23rd April 08 ) On her bio she portrays herself with a baby kitten nevertheless: http:\/\/members.tripod.com\/pesi_girsch\/bio.htm (accessed 23rd April 08 ), so one can assume that she sees some qualitative difference between being amongst the living or being amongst the&hellip;<a href=\"https:\/\/www.farangis.de\/blog\/pesi-girschs-nature-morte\" class=\"more-link\"><span>Continue reading<\/span><span class=\"screen-reader-text\">Pesi Girsch&#8217;s &#8220;Nature Morte&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[5],"tags":[6],"_links":{"self":[{"href":"https:\/\/www.farangis.de\/blog\/wp-json\/wp\/v2\/posts\/66"}],"collection":[{"href":"https:\/\/www.farangis.de\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.farangis.de\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.farangis.de\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.farangis.de\/blog\/wp-json\/wp\/v2\/comments?post=66"}],"version-history":[{"count":5,"href":"https:\/\/www.farangis.de\/blog\/wp-json\/wp\/v2\/posts\/66\/revisions"}],"predecessor-version":[{"id":72,"href":"https:\/\/www.farangis.de\/blog\/wp-json\/wp\/v2\/posts\/66\/revisions\/72"}],"wp:attachment":[{"href":"https:\/\/www.farangis.de\/blog\/wp-json\/wp\/v2\/media?parent=66"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.farangis.de\/blog\/wp-json\/wp\/v2\/categories?post=66"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.farangis.de\/blog\/wp-json\/wp\/v2\/tags?post=66"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}